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LA EP

by Dagne Gorham

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1.
Previously on "My Desert Girl," You were combing your hair and I kept saying, "Faster faster faster," I kept driving And the car's on fire again Wanna head out of town? See the ghost towns I'm gonna live in? Dead walls and dust scales and letters, prison, and ruby glasses "You're in my head again, fingers in my hair," She said "Yeah I know you too well" (Cut to me again) Make sure you make sure her eyes look like mercury in this scene She's perfect she's perfect she's perfect she's perfect Not just a movie dream Not just a movie dream Not just a movie dream Can we go again, from the top?
2.
Write it in so that we end up together An episode recap makes us look better Flood my world in a honeycomb grid Focus what I’m melting in I’m looking through a wide lens Warps as it follows you Everyday, lack of shame No control to get in the way It’s always Me and you Me and you Me and you Me and you Me and you Me and you Me and you Draw a couple lines there, some dashes here Carve some off and lick me clean, why don’t you dear? Work the room, make me patient and true A permanent marker crush on you Pulling at the wheatgrass Like you’re pulling at your madness Pull up my forehead a couple more inches Oh love, I’ll comfort you But only if you have your profile to the screen I’ll put my hand on your face, calm you down in symmetry Oh, to wake up next to you Soaking up all the red in your room Gasps and sighs and lips on lips The easiest sounds we can make voyeuristic This is as intimate as it can get Sex and violence, I’m desensitized, no flinch My hand twitched like it was alive Perfect in the moonlight I thought I was over you but I’m back on, under you again Submission must be as scary and sweet as stainless steel gleam To you To you To you To you To you To you To you To you To me To me To me To me To me To me To me To me It’s always that look you give When we hug Over my shoulder It’s in your eyes And the audience can see everything No one’s the moral compass We’re all messed up You two give a new meaning to the LA afternoon sun What do I do now that you’re done? What do I do now that I can’t lie there and fantasize about you for fun? Reanimate yourself, my Knight of Cups And love me because you can’t make any of it up
3.
Scored By 04:03
This scene is scored by you again I’m walking through Los Feliz And when I’m near the theatre I feel you The soundtrack starts, the songs glint and yearn My face flushes red, I run and turn With joy across it all You score my whole experience here And lead me to where I can feel you but can never find you near In this Los Angeles golden-movie daylight I know Just how to hit the camera right To get my good side To angle up into the light To close my eyes And pretend to not worry anymore But is it really you? Or is it my expectation of you We actors play good parts Maybe it’s just too true
4.
Hilltop 02:07
To think I can just drive up to your old house Anytime I want Lose my breath in the elevation, revelation, dizzy A self-fulfilling prophecy of me sitting in the orange dirt Swimming in your pool In my head I wonder, in real life, if we’d have this deep connection By the way, was that a trap? Desiring the hills, giving nothing back? A slow climb to the literal top But when I’d get there I could never stop? Would it take me next? Some of the criteria is met Oh how I love something so much when I don’t know its truth yet Those letters are magnetic, I tell you That circular window is used in your first season for continuity Do it again I’m enamored by what used to be It’s all early 2000s now, you see
5.
TV Debut 03:24
On my TV debut I Delay my personal growth because it’s poignant I Can’t wait any longer to find it I Work myself up in a fit I Trick myself into crying so I can let it go I Love you so you don’t have to I Keep my hand closed tightly I Secretly not-so-secretly resent everything you did to me I Remember all memories I Keep your eyes on me I Can’t know my own secrets I Get what I want for a second I Break the fourth wall I Can finally show the world the sincerity I’ve practiced in the mirror I Keep glistening I Don’t know what to admit to I keep you tuned…
6.
So I Can See 02:02
Slow the frame down So I can see the light flicker in and out
7.
Mulholland 04:56
SV how you been? You’re more than just a dream I’ve been thinking about you again My mind winding like Mulholland I have nine hours to burn So I get in my car and I learn How to separate myself from this town that I’m living in Do you have a house over here (or here)? We stick like vinyl to flesh under confetti sun I know you like it when I get it right, get it right Omniscient and fateful as the Hollywood sign Tell me when to get off, tell me when to get off Tell me when to get off, when to get off get off get off get off get off Tell me when to stop, when to go, when to turn, when to stop To get off (Get off) I’m not even on a substance and I’m completely confused People look at me like I’m not supposed to be here and I’m beginning to believe it too If I live here long enough will I start falling in love with reptiles? Everyone laughs to cover up the truth How ‘bout me, how ‘bout you? Those canyon roads When I go When I leave them, they take a part of me with them Tell me when to get off, tell me when to get off Tell me when to get off, when to get off get off get off get off get off Tell me when to stop, when to turn, when to go, when to stop To get off Am I meant to be here to meet you, or not? Am I meant to be here to know that I’m not? The most sane I feel is when I’m high on top, reminded of my mortality Of who I get to be in this life Left side, I ride With you again, right

about

Written after living in Los Angeles, CA, for a year.

credits

released October 25, 2019

All tracks written, performed, recorded, produced, mixed, and mastered by Dagne Gorham.

Published by Dagne Gorham (ASCAP) and Chants de Taureau LLC (ASCAP).

Registered copyright 2019 by Dagne Gorham.

Cover photo taken by Dagne Gorham.

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Dagne Gorham Austin, Texas

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